What's New?
This section is very important for existing users to read.
Revoice Pro V2.6 and the features added in V2.5 can speed up your workflow significantly.
- Please follow the links in the New Feature lists below to the detailed instructions to learn more.
- Watch the Video "What's New in Revoice Pro 2.5"
What's New in Version 2.6
- For users of Nuendo (5 and up) and Cubase (5 and up), audio can be transferred to Revoice Pro using NEW Copy and Paste or Drag and Drop operations.
- VST3 Revoice Pro Audio Monitor Plug-in instructions have be added to manual.
What's New in Version 2.5
Major New Features
- For Pro Tools users: New "VocALign-like" Audio Suite plug-ins
- Two new Audio Suite plug-ins have been included which make the stand-alone Revoice Pro application work in the same way as the VocALign Audio Suite plug-ins. These "Quick" APT and Doubler plug-ins (Audio Suite/AAX) are great options that, in just a few keystrokes, deliver the power of Revoice Pro's time and pitch tightening or doubling with unbeatable speed and simplicity.
- Faster Time and Pitch Processing for groups of Tracks
- In one operation, you can now create mutiple APTs for a group of input tracks that have the same Guide track. This is designed to speed up the automatic time and pitch tightening of "stacked" vocals or instruments. For example, 3 or 4 input double tracks of a lead or harmony vocals can be tightened at the same time.
- Stereo Doubler
- A single Doubler interface now allows the selection of mono or stereo outputs from mono or stereo inputs, simplifying operation.
- APT Pitch Limits
- The limits of the pitch editor can now be graphically adjusted to suit any extreme ranges in the source pitch. This means that vocal signals with very low or rough pitch, or even bass guitars and flutes can be used sucessfully as inputs to Revoice Pro. It also means the operator can quickly make adjustments and prevent octave errors in pitch measurements with difficult signals.
- Pitch and Time Editing
- There have been a number of improvements to the quality and speed of Revoice Pro's signal processing, with users agreeing that Revoice Pro provides possibly the best-sounding time and pitch manipulations for voices and some instruments.
- A "Make Group from Play Range" item has been added to the pitch edit menu so users can create single pitch blocks where wanted.
- Editing pitch and time is now faster as the program will only update the area of signal effected by by the edit.
- Mac OS X users - Time Machine support
- For users with Mac OS X 10.7 and higher, Revoice Pro sessions are saved automatically in the background using Time Machine, allowing you to browse through and optionally restore earlier versions of a Revoice Pro session.
- Many bug fixes and other improvements
- Addresses issues reported by users and improves operation and audio quality.
What's New in Version 2.2
Major New Features
- Revoice Pro for Windows (first release)
- Revoice Pro for Windows works with Vista (with Service Pack 2), Windows 7 and 8.
- It will not work with earlier versions of Windows.
- Faster and Simpler Process Creation
- Just one click can create a new APT or Doubler process from the selected audio
- Intelligent automatic setting of Audio Selection source and Output tracks.
- Quick key B brings up New Process Controls. N key creates process.
- Efficient use of Playback Range (improved)
- Audio Monitoring plug-in
- Lets you monitor Revoice through your DAW hardware
- Revoice Pro can now steam its stereo output mix to an insert plug-in in your DAW
- Revoice Pro slaves to your DAW playback
- Improved Support for Larger Revoice Pro Sessions
- Faster display updates with larger audio files (using background loading of audio waveforms)
- Display only tracks related to selected process (see Quick Keys Z and X below)
- Option to turn off energy and pitch displays of all but the selected process (C key)
- Session files written in new, compact faster-loading format
- Quick keys focus display on selected Process
- Z key displays only the tracks related to selected process. X key displays all tracks.
- Doubler now uses same Solo enable keys as APT function: G (input), A (Output) and E (Input and Output) .
- Faster workflow changes
What's New in Version 2.0
Revoice Pro V2.0 is the first major update following Version 1.0.2.
Major New Features
- New AU and VST3 Link plug-ins – simultaneously transfer multiple tracks of audio from DAW to Revoice Pro
- Improved APT Loudness functions - more controls, better performance
- Improved alignment – much better at aligning a Dub to a Guide, when Guide or Dub contain gaps of silence
- Manually adjust Time and Pitch of APT output signals – with exceptional high quality
- Instant Display - of automatic and manual processing adjustments
- Many ease of use improvements to speed up workflow
We have created a set of short tutorial videos describing the new features. Click the video names below to view videos
- Automatic track naming from first dragged-in audio file names
- New Track Control Panel features – solo, mute, expand, and drag track to duplicate
- New Track display controls for Audio, Energy and Pitch signals
- Align multiple short blocks of Dub audio to the Guide with longer APT processes
- Duplicate Processes by dragging a Process Control Block
- Detect when and where an audio overlap occurs in a Track
- Manually manipulate time and pitch of APT output audio in Revoice Pro, with exceptional high quality
- Create Harmony part Guide Tracks with corrected pitch and time aligned to lead vocal
- Transfer multiple tracks of audio from DAWs to Revoice Pro with AU (and VST3) Link plug-ins *
- Spot Audio processed in Revoice Pro back to DAWS using a simple drag and drop.
- It does not require setting a Revoice Pro session offset
- When you drag files from Revoice Pro to Cubase or Nuendo, select the option to copy files to your working directory.
WARNING FOR PRO TOOLS 10 and 10.1 USERS
If you are capturing audio with the Revoice Pro Link Audio Suite Plug-in, do NOT use BAR BEATS setting in Pro Tools 10 and 10.1. There is a Pro Tools bug that will place the captured audio at the wrong time code in Revoice Pro. Avid fixed this in Pro Tools 10.2.
